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Subplot definition3/2/2024 Now, you don't want so many that they distract from the main story, but lots of time they can support what's happening on the main pages. Most scripts, whether film or television, have a few subplots. If you want to add a new dimension to your script to deepen your theme, a subplot can greatly help. She had no idea she was going to have to do that until the adventure began. The B-story could be a personal problem they need to fix, or it might be an emotional hurdle.ī-stories usually directly align with the theme of the screenplay.įor example, in The Wizard of Oz, Dorothy’s A-story is to find the Wizard and get home, but the B-story becomes helping Oz and her new friends. Like if Indiana Jones wanted to get the Ark, but he also has to reconcile his relationship with Marion. The B-story is your character’s secondary motivation or mission. ![]() Subplots run parallel to the A-story and usually are their own story.ī-stories usually run concurrently with the A-story and often develop within the main plot. Usually, B-stories directly involve your main character, whereas subplots do not. Many people use these terms interchangeably, but there are small differences. They have their own wants, desires, and arcs. Subplots usually have their own supporting characters besides the protagonist or antagonist. There can be more than one subplot, and they can have crossover scenes with the main plot. In screenwriting for film and television, a subplot is one of the threads of the plot that is supporting the main plot. How to Make Your Screenwriting Subplots Shineīefore you know how to write great subplots, I think you better know the exact definition of what they are and how you can use them. ![]() I also want to take a deeper dive into the idea of romantic subplots, since they're so popular.Īll right, enough stalling, let's leave the main plot behind and dig into what's left. We'll learn about the strategies you can use while developing them, and we'll look at some great examples. ![]() Today, I want to go over the stuff that happens outside of the main plot, the subplots, and the B-stories that make your movie or TV show feel whole. You have to juggle characters, their motivations, and make sure the audience cares about all of them. Writing movies and TV shows is not an easy thing to do. As a result, we often forget other things have to happen as well. So much of the time we spend writing is focusing on what happens in the main plot.
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